Beyond the essay film : subjectivity, textuality and technology /
In the wake of the explosion in the production of essay films over the last twenty-five years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long duree' of the twentieth century and into the twenty-first....
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Other Authors: | , |
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Format: | Electronic eBook |
Language: | English |
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Amsterdam :
Amsterdam University Press,
[2020]
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Series: | Film culture in transition.
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Subjects: | |
Online Access: |
Full text (Emmanuel users only) |
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245 | 0 | 0 | |a Beyond the essay film : |b subjectivity, textuality and technology / |c edited by Julia Vassilieva and Deane Williams. |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2020] | |
264 | 4 | |c ©2020 | |
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490 | 1 | |a Film culture in transition | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgments -- |t Introduction -- |t 1. 35 Years On: Is the 'Text', Once Again, Unattainable? -- |t 2. To Attain the Text. But Which Text? -- |t 3. Compounding the Lyric Essay Film : Towards a Theory of Poetic Counter-Narrative -- |t 4. 'Every love story is a ghost story' : The Spectral Network of Laurie Anderson's Heart of a Dog (2015) -- |t 5. Lines of Interpretation in Fields of Perception and Remembrance : The Multiscreen Array as Essay -- |t 6. Deborah Stratman's The Illinois Parables (2016) : Intellectual Vagabond and Vagabond Matter -- |t 7. Rethinking the Human, Rethinking the Essay Film : The Ecocritical Work of The Pearl Button -- |t 8. Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay -- |t 9. 'All I have to offer is myself': The Film-Maker as Narrator -- |t 10. The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking -- |t 11. The Home Movie as Essay Film: On Making Memory Posthumously -- |t Index |
520 | 8 | |a In the wake of the explosion in the production of essay films over the last twenty-five years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long duree' of the twentieth century and into the twenty-first. 'Beyond the Essay Film' seeks to not only acknowledge the influential predecessors of this - in the view of many critics - most interesting type of contemporary filmmaking - but also to speculate about its possible transformation as we move forward into the uncharted waters of the twenty-first - digital - century. Focusing on three specific axes that underpin and shape the articulation of the essay film as a specific cultural form - subjectivity, textuality and technology - this book explores how changes along and across these dimensions affect historical shifts within essay film practice and its relation to other types of cinema and neighbouring art forms. | |
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700 | 1 | |a Vassilieva, Julia, |e editor. | |
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