Beyond the essay film : subjectivity, textuality and technology /

In the wake of the explosion in the production of essay films over the last twenty-five years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long duree' of the twentieth century and into the twenty-first....

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Bibliographic Details
Other Authors: Williams, Deane (Editor), Vassilieva, Julia (Editor)
Format: Electronic eBook
Language:English
Published: Amsterdam : Amsterdam University Press, [2020]
Series:Film culture in transition.
Subjects:
Online Access: Full text (Emmanuel users only)

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245 0 0 |a Beyond the essay film :  |b subjectivity, textuality and technology /  |c edited by Julia Vassilieva and Deane Williams. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2020] 
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490 1 |a Film culture in transition 
504 |a Includes bibliographical references and index. 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Acknowledgments --  |t Introduction --  |t 1. 35 Years On: Is the 'Text', Once Again, Unattainable? --  |t 2. To Attain the Text. But Which Text? --  |t 3. Compounding the Lyric Essay Film : Towards a Theory of Poetic Counter-Narrative --  |t 4. 'Every love story is a ghost story' : The Spectral Network of Laurie Anderson's Heart of a Dog (2015) --  |t 5. Lines of Interpretation in Fields of Perception and Remembrance : The Multiscreen Array as Essay --  |t 6. Deborah Stratman's The Illinois Parables (2016) : Intellectual Vagabond and Vagabond Matter --  |t 7. Rethinking the Human, Rethinking the Essay Film : The Ecocritical Work of The Pearl Button --  |t 8. Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay --  |t 9. 'All I have to offer is myself': The Film-Maker as Narrator --  |t 10. The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking --  |t 11. The Home Movie as Essay Film: On Making Memory Posthumously --  |t Index 
520 8 |a In the wake of the explosion in the production of essay films over the last twenty-five years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long duree' of the twentieth century and into the twenty-first. 'Beyond the Essay Film' seeks to not only acknowledge the influential predecessors of this - in the view of many critics - most interesting type of contemporary filmmaking - but also to speculate about its possible transformation as we move forward into the uncharted waters of the twenty-first - digital - century. Focusing on three specific axes that underpin and shape the articulation of the essay film as a specific cultural form - subjectivity, textuality and technology - this book explores how changes along and across these dimensions affect historical shifts within essay film practice and its relation to other types of cinema and neighbouring art forms. 
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