After authority : global art cinema and political transition /
After Authority explores the tendency in art cinema to respond to political transition by turning to ambiguity, a system that ideally stems the reemergence of authoritarian logics in art and elsewhere. By comparing films from Italy, Hungary, South Korea, and the United States, this book contends tha...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
New Brunswick, New Jersey :
Rutgers University Press,
[2020]
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| Subjects: | |
| Online Access: |
Full text (Emmanuel users only) |
MARC
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| 100 | 1 | |a Heck, Kalling, |e author. | |
| 245 | 1 | 0 | |a After authority : |b global art cinema and political transition / |c Kalling Heck. |
| 264 | 1 | |a New Brunswick, New Jersey : |b Rutgers University Press, |c [2020] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Authority year zero : on Germany year zero -- The image that waits : on Satantango -- The end of authority, the end of democracy : on woman on the beach -- Force, hope, and death : on medium cool -- Coda : political modernism and the possibility for action. | |
| 520 | |a After Authority explores the tendency in art cinema to respond to political transition by turning to ambiguity, a system that ideally stems the reemergence of authoritarian logics in art and elsewhere. By comparing films from Italy, Hungary, South Korea, and the United States, this book contends that the aesthetic tradition of ambiguity in art cinema can be traced to post-authoritarian conditions and that it is in the context of a transition away from authoritarianism where art cinema aesthetics become legible. Art cinema, then, can be seen as a mode of cinematic practice that is at its core political, as its constitutive ambiguity finds its roots in the rejection of centralized and hierarchical configurations of authority. Ultimately, After Authority proposes a history of art cinema predicated on the potentials, possibilities, and politics of ambiguity. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Motion pictures |x Political aspects. | |
| 650 | 0 | |a Totalitarianism and motion pictures. | |
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