Theatre for Youth Third Space : Performance, Democracy, and Community Cultural Development.
This book answers the question: how do we use theatre and performance to make the world a better place together? Theatre for Youth Third Space is a practical yet philosophically grounded handbook for people working in theatre and performance with children and youth. Presenting asset development appr...
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Main Author: | |
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Format: | Electronic eBook |
Language: | English |
Published: |
Bristol :
Intellect,
2015.
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Series: | Theatre in education (Bristol, England)
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Subjects: | |
Online Access: |
Full text (Emmanuel users only) |
Table of Contents:
- Cover
- Half Title
- Title
- Content
- Ackownledgments
- Foreword-Michael Rohd
- Introduction
- Section 1: Field Building-or-the Twenty Principles of TFY Third Space
- 1.1 TFY Third Space
- 1.2 Public Art and Communities of Belonging and Location
- 1.2.1 Words over Water
- 1.2.2 River Then, River Now, River Future
- 1.3 Children and Youth
- 1.4 Further Defining "Public"
- 1.5 Placemaking as a Function of Public-Making
- 1.5.1 Physical Space and Social Place
- 1.5.2 Placemaking
- 1.6 Community Cultural Development
- 1.7 Deliberative Democracy and the Politics of Representation
- 1.8 Defining Community
- 1.9 A Pause to Build Field Theory in CCD with Children and Youth
- 1.10 A Brief Introduction to Capital and Cultural Economies
- 1.11 Expanding Capital Systems
- 1.12 Defining Development
- 1.12.1 Positive Youth Development
- 1.12.2 Defining Development within the Capabilities Approach
- 1.13 Good Work
- 1.14 Field Theory in CCD with Children and Youth, Part 2: Linking Capital and Development
- Section 2: Ethics, Leadership, and Facilitation
- Introduction
- 2.1 Starting From Where You Are: Ethics and Pluralism
- 2.2 Culture, Values, and Beliefs
- 2.3 Diversity and Difference
- 2.4 Power and Status
- 2.5 Hegemony
- 2.6 Putting Ethics and Pluralism Together
- 2.7 Authentic Leadership
- 2.7.1 Openness and Emotional Honesty
- 2.7.2 Lateral Management Structures
- 2.7.3 Reciprocity
- 2.8 Healthy Ensembles
- 2.8.1 Dialogue and Positive Communication
- 2.9 Fostering Creativity
- 2.9.1 Domains, Fields and Circulating Symbolic Meanings
- 2.9.2 Individual Creativity
- 2.9.3 Raw Materials and Group Creativity
- 2.9.4 Creative Processes
- 2.10 Theatre and Performance Skills
- 2.11 Facilitating Creative Processes and Products
- 2.11.1 Studio as a Space of Games and Play
- 2.11.2 Spiral Devising.
- 2.11.3 Compositional Practices and Aesthetic Considerations
- Section 3: Partnering, Project Management, Planning, and Evaluating
- Thinking through Community
- 3.1 Partnering to Foster Change and Social Transformation
- 3.2 Barriers to Working Together
- 3.3 Qualities Helpful to Overcoming Barriers
- 3.4 Conceptualizing Projects
- 3.5 Project Frames
- 3.6 Articulating a Theory of Social Change
- 3.6.1 Reeler's "Emergent Change"
- 3.6.2 Reeler's "Transformative Change"
- 3.6.3 Reeler's "Projectable Change"
- 3.7 Project Planning, Proposals, and Management
- 3.7.1 Project Planning
- 3.7.2 Proposal Components
- 3.7.3 Project Proposal Example
- 3.7.4 Project Management
- 3.8 Documentation, Evaluation, and Assessment
- 3.8.1 Documentation
- 3.8.2 Specialized Research Terminology
- 3.8.3 Rigor
- 3.9 Final Project/Partnership/Program Reports
- Works Cited
- Back Cover.