On Voice.
The essays collected here raise a simple but rarely asked question: just what, exactly, is voice? From this founding question, many others proliferate: Is voice an animal category, as Aristotle thought? Or is it distinctively human? Is it essentially related to language? To music? To song and singin...
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam :
Editions Rodopi,
2014.
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| Series: | Word and music studies ;
13. |
| Subjects: | |
| Online Access: |
Full text (Emmanuel users only) |
MARC
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| 100 | 1 | |a Bernhart, Walter. | |
| 245 | 1 | 0 | |a On Voice. |
| 260 | |a Amsterdam : |b Editions Rodopi, |c 2014. | ||
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| 490 | 1 | |a Word and Music Studies ; |v 13 | |
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Cover; Title Page; Copyright Page; Contents; On Voice: An Introduction; Her throat, full of aching, grieving beauty: Reflections on Voice in the Operatic Adaptations of The Great Gatsby and Sophie's Choice; The Vocal Persona of Jussi Björling; The Voice of/in Opera; Resonances and Dissonances: Listening to Waltraud Meier's Envoicing of Isolde; From Vox alias Phoné to Voice:A Few Terminological Observations; Indefiniteness, Ethereality, and Unarticulated Meaning:Breath, Music and the Problem of 'Voice' in Poe's Ligeia -- Voice and Vocation in the Novels of George Eliot. | |
| 505 | 8 | |a Voice and Presence in Music and Literature:Virginia Woolf's The WavesThe Mahlerian Mask:On Heine's Voice and Visage in Post-War Germany; Voice and Voices in Oratorios:On Sacred and Other Voices; Schubert's Instrumental Voice:Vocality in Melodic Construction in the Late Works; Composing Voices and Ravel's L'Heure espagnole; La Castrata and the Voices in My Head; Homer Simpson's ""Doh!"":Singsong between Music and Speech; Notes on Contributors. | |
| 520 | |a The essays collected here raise a simple but rarely asked question: just what, exactly, is voice? From this founding question, many others proliferate: Is voice an animal category, as Aristotle thought? Or is it distinctively human? Is it essentially related to language? To music? To song and singing? Is it a mark of presence or of absence? Is it a kind of object? How is our sense of voice affected by the development of recording technology? The authors in this volume approach such questions primarily by turning away from a general idea of voice and instead investigating what can be learned by. | ||
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| 700 | 1 | |a Kramer, Lawrence. | |
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| 830 | 0 | |a Word and music studies ; |v 13. | |
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