American cinema. 6, The combat film /
Beginning with World War II combat films - produced under directives from the federal government - this program examines the role of the combat film in filling a social and political need. Critics and directors describe the evolution of these films, the rise of the Vietnam film, and the influence of...
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| Other Authors: | , , |
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| Format: | Electronic Video |
| Language: | English |
| Published: |
District of Columbia :
Annenberg Learner,
1995.
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| Series: | Academic Video Online
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| Subjects: | |
| Online Access: |
Full text (Emmanuel users only) |
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| 245 | 0 | 0 | |a American cinema. |n 6, |p The combat film / |c director, Lawrence Pitkethly ; producer, Danielle Gardner ; a New York Center for Visual History production in co-production with KCET and the BBC. |
| 246 | 3 | 0 | |a Combat film |
| 264 | 1 | |a District of Columbia : |b Annenberg Learner, |c 1995. | |
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| 500 | |a Title from resource description page (viewed August 14, 2018). | ||
| 511 | 0 | |a Narrator, Matthew Modine ; host, John Lithgow. | |
| 520 | |a Beginning with World War II combat films - produced under directives from the federal government - this program examines the role of the combat film in filling a social and political need. Critics and directors describe the evolution of these films, the rise of the Vietnam film, and the influence of the newsreel documentaries and TV news on the genre. About the Series: A video instructional series on film history for college and high school classrooms and adult learners; 10 one-hour and 3 half-hour video programs and coordinated books. Using clips from more than 300 of the greatest movies ever made, this series explores film history and American culture through the eyes of over 150 Hollywood insiders, including Clint Eastwood, Steven Spielberg, and Michael Eisner. In-depth treatments present film as a powerful economic force, potent twentieth-century art form, and viable career option. American Cinema connects subjects such as history, business, and English with other studies. In addition, it is a perfect vehicle for developing visual and media literacy skills and can be used as a springboard for creative-writing endeavors and media production. Produced by the New York Center for Visual History in association with KCET/Los Angeles and the BBC. 1995. | ||
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| 650 | 0 | |a War films |x Political aspects |z United States. | |
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| 650 | 0 | |a Motion pictures |z United States |x History. | |
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| 700 | 1 | |a Gardner, Danielle, |e producer. | |
| 700 | 1 | |a Modine, Matthew, |e narrator. | |
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