Johann Sebastian Bach
![1748 portrait of Bach, showing him holding a copy of the six-part [[Canon (music)|canon]] [[BWV 1076]]{{sfn|Wolff|Emery|2001|loc="10. Iconography"}}](https://upload.wikimedia.org/wikipedia/commons/6/6a/Johann_Sebastian_Bach.jpg)
The Bach family already had several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius, in Eisenach. After being orphaned at age 10, he lived for five years with his eldest brother, Johann Christoph, then continued his musical education in Lüneburg. In 1703 he returned to Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen, and for longer periods at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. In 1723 he was hired as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city and its university's student ensemble Collegium Musicum. In 1726 he began publishing his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer. This situation was somewhat remedied when his sovereign, Augustus III of Poland, granted him the title of court composer in 1736. In the last decades of his life, Bach reworked and extended many of his earlier compositions. He died of complications after a botched eye surgery in 1750 at the age of 65. Bach had 20 children with his two wives, Maria Barbara and Anna Magdalena, 10 of whom survived into adulthood. Four of his children, Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich, and Johann Christian, became composers.
Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly Italy and France. His compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works but, for instance, also in his four-part chorales and his sacred songs. Bach wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works use contrapuntal techniques like canon and fugue.
In the 18th century Bach was primarily known as an organist, while his keyboard music, such as ''The Well-Tempered Clavier'', was appreciated for its didactic qualities. The 19th century saw the publication of some significant Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him and other publications such as the ''Bach-Werke-Verzeichnis'' (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the ''Air on the G String'' and "Jesu, Joy of Man's Desiring", and of recordings such as three different box sets with complete performances of his oeuvre marking the 250th anniversary of his death. Provided by Wikipedia
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Ton Koopman plays Bach. / Toccata BWV 916 by Bach, Johann Sebastian, 1685-1750, Bach, Johann Sebastian, 1685-1750
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Ton Koopman plays Bach. / Dir, dir, Jehovah, will ich singen, BWV 452 by Bach, Johann Sebastian, 1685-1750, Bach, Johann Sebastian, 1685-1750
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Johann Sebastian Bach : four orchestral suites. / Orchestral suite no. 1 in C major (BWV 1066) by Bach, Johann Sebastian, 1685-1750
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The well tempered clavier. by Bach, Johann Sebastian, 1685-1750
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Oratorium tempore Nativitatis Christi, BWV 248 / Oratorium ... Die heilige Weynacht by Bach, Johann Sebastian, 1685-1750
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Brandenburg concerto No. 6 in B Flat Major, BWV 1051 by Bach, Johann Sebastian, 1685-1750
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Brandenburg Concerto No. 3 in G Major, BWV 1048 by Bach, Johann Sebastian, 1685-1750
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Goldberg-Variationen : BWV 988 / Goldberg variations by Bach, Johann Sebastian, 1685-1750
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Bach for brass by Bach, Johann Sebastian, 1685-1750
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Sonatas for violin and piano by Bach, Johann Sebastian, 1685-1750
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Historical TV broadcasts : Omnibus with Leonard Bernstein. / Historical TV broadcast : by Bach, Johann Sebastian, 1685-1750
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Cantata no. 51 by Bach, Johann Sebastian, 1685-1750
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Messe en si mineur by Bach, Johann Sebastian, 1685-1750
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Cantate BWV 82 : Ich habe genug / Cantata No. 82 by Bach, Johann Sebastian, 1685-1750
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Cantata no. 84 : ich bin vergnügt mit meinem Glücke by Bach, Johann Sebastian, 1685-1750
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Goldberg variations, BWV 988 / From Mao to Bach by Bach, Johann Sebastian, 1685-1750
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Ton Koopman plays Bach. / So oft ich meine Tobackspfeife, BWV 515a from Notebook II for Anna Magdalena Bach by Bach, Johann Sebastian, 1685-1750
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Ton Koopman plays Bach. / Amore traditore, BWV 203 by Bach, Johann Sebastian, 1685-1750
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Concert magic. / 'Lord, have mercy on me' (Erbarme dich, mein Gott) from Matthäuspassion by Bach, Johann Sebastian, 1685-1750
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BBC Proms. / BBC Proms. by Bach, Johann Sebastian, 1685-1750
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Ich habe genug, BWV 82. / Cantata No. 82 by Bach, Johann Sebastian, 1685-1750
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J.S. Bach Mass in B minor : Mass in B minor / Messe in H-Moll, BWV 232 : by Bach, Johann Sebastian, 1685-1750
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Christen, ätzet diesen Tag', BWV 63. / John Eliot Gardiner in rehearsal : by Bach, Johann Sebastian, 1685-1750
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Back(h) in Cöthen by Bach, Johann Sebastian, 1685-1750
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Brandenburg concerto No. 1 in F Major, BWV 1046 by Bach, Johann Sebastian, 1685-1750
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Brandenburg concerto No. 4 in G Major, BWV 1049 by Bach, Johann Sebastian, 1685-1750
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Magnificat by Bach, Johann Sebastian, 1685-1750
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András Schiff plays Bach. / French suite no. 3 in B minor, BWV 814 by Bach, Johann Sebastian, 1685-1750
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Musical offering. / Muskalische Opfer by Bach, Johann Sebastian, 1685-1750
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Improvisation sur l'art de la fugue by Bach, Johann Sebastian, 1685-1750
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La Badinaire by Bach, Johann Sebastian, 1685-1750
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Cantata No. 82 : Ich habe genung by Bach, Johann Sebastian, 1685-1750
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Récital équestre pour une académie / Equestrian recital by Bach, Johann Sebastian, 1685-1750
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St. Matthew Passion BWV 244 by Bach, Johann Sebastian, 1685-1750
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Koopman in Freiburg. / Great eighteen chorale preludes, BWV 651-668 by Bach, Johann Sebastian, 1685-1750
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Ton Koopman plays Bach. / Bei Bach zu Hause by Bach, Johann Sebastian, 1685-1750
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Die Thomaner : a year in the life of the St. Thomas Boys Choir Leipzig / 800 years St. Thomas Boys Choir by Bach, Johann Sebastian, 1685-1750
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Koopman in Freiburg. / Ton Koopman plays Bach. by Bach, Johann Sebastian, 1685-1750
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Concert magic. / Partita for violin by Bach, Johann Sebastian, 1685-1750
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Ton Koopman plays Bach. / Ich freue mich in dir, BWV 465 from Schemelli songbook by Bach, Johann Sebastian, 1685-1750
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Oratorios
Suites (Cello)
Interpretation (Phrasing, dynamics, etc.)
Piano music
Toccatas
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Suites (Violin)
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